Sunday, February 28, 2010

The Best of 80s Hair Metal Bands



Who could forget the metal bands from the 80s and early 90s with that big hair? The hair style alone made a stand out fashion statement. The music was big, flashy, and glamorous just like the hair of the band members. This particular type of heavy metal was very popular in California near the Los Angeles and Sunset Strip areas. The music is characterized by long solo guitar rifts also called shred guitar and hard rock with a mix of pop.

Hair metals bands not only made great music, they made an impact on our culture by introducing a new way of life. Band members weren't happy with sitting around, hanging out, and producing hits. They had to party as if tomorrow would never come and dress to the nines with big teased hair, makeup, and over accessorizing. Their late night parties were infamous, and you could also read about a band member creating some scandal in a tabloid magazine.

If you aren't quite sure what bands are classified as hair metal bands, here is a small list that will explain or spark some memories from "the good old days."

Guns N' Roses consisted of band members Axl Rose, Dizzy Reed, Tommy Stinson, Chris Pitman, Richard Fortus, Ron Thal, Frank Ferrer, and DJ Ashba. Some of their hits include songs such as: Welcome to the Jungle, Sweet Child O' Mine, and Paradise City.

David Lee Roth, Eddie Van Halen, Wolfgang Van Halen, and Alex Van Halen make up the band known as Van Halen which originated out of Pasadena, California. You could party all night like the rock stars listening to their hits songs like: Dance the Night Away, Can't Stop Loving You, and Runnin' With the Devil.

Another band originating out of Los Angeles in the 80s was Quiet Riot. They have gone through many band members, but the original formation was Kevin DuBrow, Randy Rhoads, Kelly Garni, and Drew Forsyth. They are best known for their hit Cum On Feel the Noise. Other hits by Quiet Riot include: Metal Health, Party All Night, and Callin' the Shots.

Motley Crue is the quintessential 80s hair metal band. They partied harder than any other band and were always in some type of trouble. The band consisted of members Nikki Sox, Mick Mars, Vince Neil, and Tommy Lee. Too Fast for Love, Girls Girls Girls, and Dr. Feelgood were all hit songs by the band.

All of the bands listed above have a few things in common, and the most important being that they are metal hair bands. All the bands partied hard, had numerous tattoos, teased their hair to make it big, had run ins with the law, and originated from California. Some other famous 80s hair metal bands are: Savatage, Twisted Sister, Cinderella, Slaughter, Poison, Whitesnake, and Kiss.

You don't have to time travel back to the 80s to hear some of your favorite songs. You can find Internet Radio websites that have 80s channels that will play some of the hits from these great bands listed.

Jeff Bachmeier is owner of 977music.com, an online music and online radio station network providing live streaming Internet Radio channels with music from the 50's thru Today. Users can also choose to create their own customized on demand playlist through their own social media profile. For more information please visit 977music.com.

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Tuesday, February 23, 2010

The Strange Days (mostly nights) of Guns N' Roses




Kenny "Axil" Rose (Lead vocals), D.J. "Slash (Lead guitar), Joshua "Duff" McKagan (Bass Guitar/backing vocals), Terry "Izzy" Stradlin (Rhythm guitar/backing vocals) and Chuck "Matt Sorum" Johnson (Drums/Percussion) make Guns N' Roses. The group has ridden a wave of success and failure spanning decades, which is almost unknown in the Heavy Metal music scene. Many fans of Guns N' Roses believe that Guns N' Roses is a Heavy Metal Rock band that is larger than large and has a collection of songs and hits not known to the Heavy Metal music scene since the Sex Pistols.

The lives of the band members have come under scrutiny of the public eye when the members' experiences with drugs and sexual exploits came to the knowledge of the general public. The penchant for generating negative press dims in the light of their breathtaking song-writing and energetic performances. Their 1987 album, Appetite for Destruction, is undoubtedly a benchmark that many other albums and bands have failed to measure up to.

The fame of Guns N' Roses continue to rock the world of Heavy Metal music with the rancorous songwriting and Slash's vigorous guitar performances. Slash has been featured in various popular guitar magazines countless times and the band itself has been featured on many other magazines, newsletters and newspapers.

Guns N' Roses popped into the music scene when the music scene was dominated by pop music and pop-metal and the future of Guns N' Roses seem blurry at the point. But they proved the critics wrong when songs many consider raw and an uglier version of rock & roll came galloping into the charts full speed. The members of Guns N' Roses are definitely not known to behave in an angelic way - and they've never tried to behave in any other way, in fact, the members are known to be 'ugly', 'misogynist', 'violent'....but they are also known to be 'funny', 'individualistic', 'vulnerable' and sometimes 'sensitive'.

Guns N' Roses music is very basic and gritty - honest to a fault. They are everything true heavy metal music should be. Listening to Guns N' Roses, listeners will soon realize that their music can evoke a wide range of emotions, from anger to sadness, from devotion to hatred.

Guns N' Roses released their first EP in 1986 which grabbed attention of heavy metal music lovers all around the world. The release of the EP led to their first debut album, Appetite for Destruction. The album didn't start selling until almost a year later, as the group toured and performed in numerous live shows. Only when attention was given by MTV by playing "Sweet Child of Mine", the album shot straight for the number one spot! Taking opportunity of their sudden fame, they re-released their debut single "Welcome to the Jungle" and it instantly rocked its way to Top Ten. Other albums and songs followed including "Patience" and "One in a Million". They started work on their follow-up album in 1990 and it's in the same year that Adler was fired and replaced by Matt Sorum from "The Cult". In addition, Dizzy Reed on keyboards was also introduced. The recordings for 1 new album turned into 2 new albums - "Use your Illusion I" and "Use your Illusion II".

"Use your Illusions I and II" initially sold very well until Nirvana's "Nevermind" broke their successful stride. Rose took over the band with a change of attitude and as a result, Stradlin, one of the best songwriter of all times, left Guns N' Roses in 1991 and he was replaced with Gilby Clarke (Kill for Thrills). It wasn't until 1993 that the fans of Guns N' Roses could come to terms with the change because Stradlin had an important role to play in the band. Their following album, The Spaghetti Incident, did garner good reviews but it still failed to capture the kind of spirit that was apparent in the early days of Guns N' Roses. Guns N' Roses appeared to have lost their edge and many thought that they were out of the race for good. The situation was further worsened with the departure of, yet, another band member, Slash, leaving Rose as the last of the original cast for Guns N' Roses.

In 1999, the first original song in 8 years for Guns N' Roses, "Oh My God" was released and it was featured in "End of Days" film starring Arnold Schwarzenegger. The new lineup for Guns N' Roses consist of Rose, Finck, Buckethead, Stinson, Brian Mantia, Paul Huge, and Dizzy Reed. The new Guns N' Roses continue to play and perform wherever they can but they generated some bad press when former members of Guns N' Roses were BANNED from watching their performances. Soon Paul Huge joined the lineup of EX Guns N' Roses members and was promptly replaced with Richard Fortus (former Love Spit Love). Fans and critics alike are waiting to see what the new lineup can come up with while the group of ex-GNR members continues to enjoy celebrity status.

Dean Erickson. Journalist, and web site builder Dean Erickson lives in Texas. He is the owner and co-editor of [http://www.all-guns-n-roses.info] on which you will find a longer, more detailed version of this article.

Article Source: http://EzineArticles.com/?expert=Dean_Erickson


The Strange Days (mostly nights) of Guns N' Roses




Kenny "Axil" Rose (Lead vocals), D.J. "Slash (Lead guitar), Joshua "Duff" McKagan (Bass Guitar/backing vocals), Terry "Izzy" Stradlin (Rhythm guitar/backing vocals) and Chuck "Matt Sorum" Johnson (Drums/Percussion) make Guns N' Roses. The group has ridden a wave of success and failure spanning decades, which is almost unknown in the Heavy Metal music scene. Many fans of Guns N' Roses believe that Guns N' Roses is a Heavy Metal Rock band that is larger than large and has a collection of songs and hits not known to the Heavy Metal music scene since the Sex Pistols.

The lives of the band members have come under scrutiny of the public eye when the members' experiences with drugs and sexual exploits came to the knowledge of the general public. The penchant for generating negative press dims in the light of their breathtaking song-writing and energetic performances. Their 1987 album, Appetite for Destruction, is undoubtedly a benchmark that many other albums and bands have failed to measure up to.

The fame of Guns N' Roses continue to rock the world of Heavy Metal music with the rancorous songwriting and Slash's vigorous guitar performances. Slash has been featured in various popular guitar magazines countless times and the band itself has been featured on many other magazines, newsletters and newspapers.

Guns N' Roses popped into the music scene when the music scene was dominated by pop music and pop-metal and the future of Guns N' Roses seem blurry at the point. But they proved the critics wrong when songs many consider raw and an uglier version of rock & roll came galloping into the charts full speed. The members of Guns N' Roses are definitely not known to behave in an angelic way - and they've never tried to behave in any other way, in fact, the members are known to be 'ugly', 'misogynist', 'violent'....but they are also known to be 'funny', 'individualistic', 'vulnerable' and sometimes 'sensitive'.

Guns N' Roses music is very basic and gritty - honest to a fault. They are everything true heavy metal music should be. Listening to Guns N' Roses, listeners will soon realize that their music can evoke a wide range of emotions, from anger to sadness, from devotion to hatred.

Guns N' Roses released their first EP in 1986 which grabbed attention of heavy metal music lovers all around the world. The release of the EP led to their first debut album, Appetite for Destruction. The album didn't start selling until almost a year later, as the group toured and performed in numerous live shows. Only when attention was given by MTV by playing "Sweet Child of Mine", the album shot straight for the number one spot! Taking opportunity of their sudden fame, they re-released their debut single "Welcome to the Jungle" and it instantly rocked its way to Top Ten. Other albums and songs followed including "Patience" and "One in a Million". They started work on their follow-up album in 1990 and it's in the same year that Adler was fired and replaced by Matt Sorum from "The Cult". In addition, Dizzy Reed on keyboards was also introduced. The recordings for 1 new album turned into 2 new albums - "Use your Illusion I" and "Use your Illusion II".

"Use your Illusions I and II" initially sold very well until Nirvana's "Nevermind" broke their successful stride. Rose took over the band with a change of attitude and as a result, Stradlin, one of the best songwriter of all times, left Guns N' Roses in 1991 and he was replaced with Gilby Clarke (Kill for Thrills). It wasn't until 1993 that the fans of Guns N' Roses could come to terms with the change because Stradlin had an important role to play in the band. Their following album, The Spaghetti Incident, did garner good reviews but it still failed to capture the kind of spirit that was apparent in the early days of Guns N' Roses. Guns N' Roses appeared to have lost their edge and many thought that they were out of the race for good. The situation was further worsened with the departure of, yet, another band member, Slash, leaving Rose as the last of the original cast for Guns N' Roses.

In 1999, the first original song in 8 years for Guns N' Roses, "Oh My God" was released and it was featured in "End of Days" film starring Arnold Schwarzenegger. The new lineup for Guns N' Roses consist of Rose, Finck, Buckethead, Stinson, Brian Mantia, Paul Huge, and Dizzy Reed. The new Guns N' Roses continue to play and perform wherever they can but they generated some bad press when former members of Guns N' Roses were BANNED from watching their performances. Soon Paul Huge joined the lineup of EX Guns N' Roses members and was promptly replaced with Richard Fortus (former Love Spit Love). Fans and critics alike are waiting to see what the new lineup can come up with while the group of ex-GNR members continues to enjoy celebrity status.

Dean Erickson. Journalist, and web site builder Dean Erickson lives in Texas. He is the owner and co-editor of [http://www.all-guns-n-roses.info] on which you will find a longer, more detailed version of this article.

Article Source: http://EzineArticles.com/?expert=Dean_Erickson


Sunday, February 21, 2010

Metallica - The Anti-War, Anti-State, Pro-Liberty Metal Band






I know that a title such as the one above is patently self-evident and possibly redundant, but has Metallica recently made a subtle statement on their pro-liberty views of the current state of the world? It seems they have done just that in their choice of songs to include in their set lists at the recent Bridge School Benefit in late October, an event at which Metallica played two consecutive nights. In a surprising move, they opened each night by playing four cover songs which they had never before performed. The choices of songs that they felt important enough to play, though, gives an indication of what they may be thinking of the war, the state, and life in general in these United States of America at the present time.

Metallica have been writing songs with anti-war messages for over two decades now. An obvious example, which they played at the Bridge School Benefit, is "Disposable Heroes," from their Master of Puppets album released in 1986. With lyrics such as "Bodies fill the fields I see, hungry heroes end / No one to play soldier now, no one to pretend," and "Bred to kill, not to care / Do just as we say / Finished here, greeting death / He's yours to take away," the emphasis is clearly on the disconnect that soldiers have in killing people they do not know for reasons given to them from people who care more about winning than any moral or personal considerations. Similar thoughts are echoed in songs such as "One" about the plight of a soldier who has been left with no limbs to move, or senses to use, or way to communicate with the world, and therefore no real reason to survive, but who also lacks the ability to end his life.

A distrust of being controlled and manipulated has also been a stable message of Metallica dating back at least to the Ride the Lightning album and the song "Escape." The song that was played at the Bridge School Benefit, though, is a clearer example. "The Unforgiven" is the story of an Everyman who, from soon after the time he is born, is controlled throughout his life. Although he vows "That never from this day / His will they'll take away," his only reaction to a life of being controlled is to label his controllers dub them unforgiven. HIs battle, though he fights it throughout his life, results in his complete lack of care and a regret-filled death. Those controlling the man are never named, but certain characteristics point to a "Brave New World" style State conditioning the individuality out of the man: "The young boy learns their rules," "This whipping boy done wrong," They dedicate their lives / To running all of his," and other lyrics, while not eliminating the possibility of other influences besides the State, seems to point to a system that aims to train and control people against their will to eradicate their own tendencies to better serve the state: "He tries to please them all."

So, Metallica has demonstrated an attitude, through songs spanning both the Old and New eras of the band, of being consistently anti-war and anti-state. Their image, of course, took a big hit on the anti-state position with their battle against file-sharing software such as Napster, when they relied on institutions of the state to defend their claim to intellectual property rights. Having examined Metallica's position on this in great detail, but not having explored the other side of the argument much, I will not try to defend either side in this essay. But moving on from this divisive event in the band's history, we can now explore the statements the band may have been making in their choice of cover songs to play at the 2007 Bridge School Benefit.

The first song played on both nights was Rare Earth's "I Just Want to Celebrate." This song contains a number of pro-liberty statements, such as "I put my faith in the people / But the people let me down / So I turned the other way / And I carry on, anyhow." Of course, this may be a defense of the charge against the band every time an album comes out that they had sold out, but it still illustrates Metallica's emphasis on individual freedom and not caring what the mob thinks. But furthermore, is the line "Had my hand on the dollar bill / And the dollar bill blew away" another in a string of celebrities decrying the falling value of the American dollar? Obviously this is a more subtle message than models wanting to be paid in other currencies, and rap stars flashing Euros in music videos, but it is a message nonetheless, especially as Metallica has deep roots in Europe, with drummer Lars Ulrich being originally from Denmark.

Nazareth's "Don't Judas Me" is a clearer example of being pro-liberty, and may even contain some accurate assessments of the media and its affects on the American population. "Treat me as you like to be treated" is a seemingly straight-forward statement that has been analyzed in its various forms for centuries. The choice of this song, in the midst of media propaganda about the threat of Iran and a police state out of control with daily taserings and intrusive searches at airports, is especially interesting. "Please don't headshrink me / Don't disguise your innuendos / Make no lies to me," and "Please don't number me / Don't betray my trusted promise / Please don't anger me / I find it hard to bear no fairness / Don't frustrate me, manipulate me," could be Metallica's subtle warning to fans to do some research on their own and not trust anyone using a position of power as a bully pulpit. This would fit well with Metallica's own statements that they feel it inappropriate to use their fame to espouse overtly political views, and may indicate a distrust of a government that used their recordings as tool to torture enemy detainees in Iraq, who were unused to heavy metal music.

This focus on a media out of control and glorifying in negative messages is carried through to the next song on the first night, Garbage's "I'm Only Happy When it Rains." Lyrics such as "You know I love it when the news is bad / And why it feels so good to feel so sad" indicates a view that revels in bad news and a misery loves company attitude. Is this choice of song Metallica's statement that only being fed news through the state-influenced media will make listeners willingly complicit in the negative messages? Without a direct statement from the band, of course, the conclusion is left to speculation, but the overall tone of these first three songs seems to show a focus on individuality and a distrust of labeling and easy answers given by a centrally-controlled source, such as the Old Media or the State. Of course, singer and guitarist James Hetfield was himself briefly a subject of the negative news machine, when he was stopped at an airport and reported to be a potentially suspected terrorist, due to his beard. If someone who sells 100 million records worldwide can be considered a terrorist and detained at the airport, who is immune? Of course, the message is that no one is not a suspect.

The last two songs are more overtly anti-war than the others previously described. The first is "Veteran of the Psychic Wars," by Blue Oyster Cult. this one may also be a dual statement on the media manipulations and war itself. Obviously, psychic wars going on here at home are just as important as the real war in attempting to convince the people that war is useful and going well. Weariness of a war going on far too long, along with an assault on personal liberty and privacy, is the message of lines such as "But the war's still going on dear / And there's no end that I know / And I can't say if we're ever... / I can't say if we're ever gonna to be free," and "It's time we had a break from it / It's time we had some leave." Metallica has covered BOC before on 1998's album "Garage, Inc.," but did not use such an anti-war song. Again, the band's own personal involvement in the war, through the use of their songs as an "enhanced interrogation" technique, and the reports of Hetfield being stopped at an airport, may indicate their awareness of a need to make as much of a statement as possible opposing big war and big government. As the song finally asks, "Did I hear you say that this is victory?"

The final cover song that Metallica chose to play at the Bridge School Benefit is Dire Straits' "Brothers in Arms." Although the song, throughout most of it, seems to glorify in the comaraderie of being soldiers for a common cause, the emphasis on this concept of "brothers in arms" is turned on its head in the final lines. The song emphasizes the strength of bonds that are formed "Through these fields of destruction," "As the battles raged higher," and "In the fear and alarm," which may indicate that strength is found in becoming closer to those allies with whom one fights a battle. But, the final lines of the song are "We're fools to make war / On our brothers in arms," using the same "brothers in arms" line to show that all humans have common bonds, no matter that "There's so many different worlds / So many different suns." When individuals go to war for a state, they are making war on their own brothers. Individuals, says the song, have more in common amongst themselves than they will ever have with an abstract state. This message is emphasized in the concert itself as James Hetfield repeats the final lines ("We're fools to make war / On our brothers in arms") numerous times until the end of the song.

So, have Metallica's experiences since the war against terror began affected their views on war, liberty, or the state? It certainly seems as if they have, based on their choice of songs to cover for the Bridge School Benefit concerts. Although these ideas have been expressed in various Metallica songs throughout their history, never before have they played a set with such consistent messages. In fact, that is the aspect of the shows that struck me immediately, having read much on the history of Metallica and their personal views on issues affecting the world. It is mainly through an artist's work that they communicate to us and we can communicate with them, and each concert a band plays is an expression of their own communications with their work and the work of others. In their choice of cover songs, Metallica seems to have laid out a subtle message about their current views of the world and an anti-war, anti-state stance that has only been reinforced over the past years with public events, such as the torture issue and the airport, and their own personal reflections.

Nick maintains a blog educating homeowners on how they can stop foreclosure on their homes through a variety of methods. He believes that individuals taking responsibility for their own lives and their local communities are more effective at solving problems than relying on a distant, abstract state to come up with a one-size-fits-all solution. He has also been a Metallica fan since the early 1990s. You can read other book reviews, movie reviews, and articles at the foreclosure blog that he writes for. And feel free to visit the the website that hosts the blog: http://www.foreclosurefish.com/

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A Brief History of Metallica



Metallica have easily been arguably the best, most influential and most respected Heavy Metal band of the 80's and the 90's. Instead of drifting off in their own success, they brought the music back down to Earth, back to the street, where it belongs.

The band formed after a series of events in 1981: Lars Ulrich, a Danish born drummer living in the Bay Area of San Francisco, was looking for someone to 'jam' with. He put an add in the local Trading Post, 'The Recycler,' stating that he was interested in playing drums for a band. To answer his add was James Hetfield, a 19-year-old guitarist, also living in the Bay Area of San Francisco. The two started playing together their favorite Heavy Metal songs, such as those by such bands as Diamond Head, and Black Sabbath. Hetfield later asked roommate (and part-time bassist), Ron McGovney to join the band, and McGovney accepted the offer. The trio then recruited lead guitarist Dave Mustaine, and the band was complete, or was it....

With Hetfield doubling up on vocals, the band recorded their first demos in mid-1981. The demos entitled "No Life 'Till Leather," became the product of bootleggers, and the band became popular among the Underground Heavy Metal community.
Later, when Hetfield and Ulrich attended the concert of a fellow Bay Area band called Trauma, they were stunned by the 'volcanic' ability of Trauma's bassist: Cliff Burton. Subsequently, McGovney was kicked out of the band by Hetfield and Ulrich, and the very impressive Burton was asked to join Metallica. After some strenuous decision making, Burton decided to join. Metallica then started to play concerts, mainly as a warm-up band for established Metal acts such as Saxon, and Metallica's popularity grew, while they hadn't even released their first album yet.

Mustaine, the band's lead guitarist became increasingly unpopular with the other three members of the band. His daily intake of drugs and alcohol was not liked by Hetfield and Ulrich, so, in turn, Mustaine was kicked out of the band.

The band searched for another lead guitarist. They attended many concerts of other Bay Area bands, and, they got lucky. They found Kirk Hammet, a guitarist playing for a little known band called Exodus. The trio were in awe of Hammet's lightning-fast fingers which played intricate minute-long solos, that left the fret board on the guitar smoking after they had finished. Hammet was therefore asked to join the band, and after an age of thinking, Hammet decided to leave Exodus, and join Metallica.

For the next year, Ulrich, Hetfield, Burton and Hammet worked on improving the songs they had written in the No Life 'Till Leather demos, and wrote new songs, all while performing concerts all over the country. A recording contract was secured with American recording label Elektra, and in 1983, the band released their first album: "Kill 'Em All." Kill 'Em All contained improved songs from the No Life 'Till Leather demos, and couple of songs written by the band after Burton and Hammet had joined. The album was a huge success amongst the Heavy Metal community, but it never really broke into the mainstream music market.

After the release of Kill 'Em All, the band decided to cut down on the touring, and decided to work instead, on writing their next album. "Ride the Lightning," the band's second album, was released almost exactly a year after Kill 'Em All. It was the product of a year's hard work. As with Kill 'Em All, Ride the Lightning was a success, and it continued in the traditions of the speed-orientated music from the first album.

Metallica's popularity grew with the release of their album, "Master of Puppets," released in 1985. Some say that 'Puppets' is the best all time Heavy Metal album. It, as with the previous albums was a great success, and Metallica were more popular than ever before.
After the release of 'Puppets, the band decided to go on a world tour, mainly because on the huge success of their albums. The tour was launched in Copenhagen, Denmark, drummer Ulrich's home town.

While on tour in Sweden, tragedy struck. Metallica's tour bus crashed on a long trip between cities, and bassist Burton was tragically killed. After Burton's funeral, the band wondered if they should continue playing or not, and they decided they would play on....

Auditions were held by Metallica for a new bassist, and many budding bass players turned out to see if they were good enough to join Metallica. Jason Newstead, with his heavy, rhythmic technique on the Bass, was chosen as the new bassist for Metallica. To work Newstead into the Metallica mold, the band decided to go back to their roots, and to play some songs written by their favorite bands, the bands which had influenced them the most in their early career. The cover songs (as they are known), were recorded, and the songs were released in 1986's $5.95 EP entitled "Garage Days Revisited." Now the EP is extremely rare, and is considered a collector's item.

With Newstead on board, 1987's "....And Justice For All," was released, Metallica's fourth album. For the first time, Metallica broke into mainstream music via the album, and it entered the American and British Top 20 in the music charts. From the album, the singles "One," and "Harvester of Sorrow," were released, and the singles also had success in the charts.

After the album, the band decided to tour again, and the "Justice" tour, as it came to known, lasted for about 3 years, from 1987 to 1990.

1991's self-titled album "Metallica," brought the band their biggest success to date, selling 7 million copies in the USA alone. The album became Number One in the American Music Charts, and the singles "Unforgiven," "Enter Sandman," and "Nothing Else Matters," became huge hits, each entering the Top 10 in both the American and British singles charts.

Then, it was back on the road again for Metallica, for yet another world tour. This time the tour lasted for four years, and the band played in such obscure place in the world such as Moscow.

The Release of 1996's greatly-anticipated "Load" album was not liked by many of Metallica's hard-core fans. For Load, Hetfield, Ulrich, Hammet and Newstead had decided to step away from the speed-metal scene, and decided to step into the arena of Alternative Rock. Although the album debuted at number one in the American charts, the older Metallica fans did not take to it greatly, they claimed that Metallica had "sold out." Metallica lost some fans, but they also gained many more new fans, who were more interested in the Alternative side of Metallica.

For the next year, in between touring, Metallica wrote songs for the next album, not phased buy the comments made by their so called fans on the Load album. Reload, the seventh album, was released in 1997. The album debuted at number four in the American charts, and like the Load album, the older fans did not like it, but the legions of younger fans continued to grow.

Metallica have always been, in their 19 year career, a constant force on music. Metallica have changed the rules for all Heavy Metal bands, not only are they respected by the fans, but also by mainstream record buyers and critics.

Many bands have emerged from the Metallica way of playing music. Kirk Hammet has become one of the most copied guitarists in all forms of music, James Hetfield has developed a signature growl in his vocals, as with his rhythm guitar, while Lars Ulrich's constant bang of the drums clicks in perfectly with Jason Newstead's bouncing, yet heavy, bass tunes. Metallica have, single-handedly changed the face of metal, forever.

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